-
Fall Quarter 2012 |
Instructor: Dale Lindman |
Art 121 – Drawing II |
Office: C250 C |
Rm. |
Office Hours: 11:30 am – 12:30 & 3:30 to 4:30 T/Th |
Class Time: 12:30 – 3:20
p.m. |
By appt. Mon / Wed / Fri |
Days: Tues./ Thur. |
Online appts. dlindman@bellevuecollege.edu |
|
Office Phone: 425-564-2053 |
Syllabus, supplies and links: MyBC ART 121 A Lindman
Advance drawing is meant
to build on the outcomes you worked on in Art 120 (Beginning Drawing) You will
improve on both your conceptual and perceptual skills while exploring different
materials and techniques.
Drawing two will introduce the
student to various objective and subjective aspects of drawing to stimulate
personal creativity and expression and engage you in the ongoing process of
creative problem solving.
I. COURSE
OUTCOMES
The
knowledge and skills the student should hone and/or acquire during advanced
drawing are as follows:
a. Scale and proportional relationships
b. Ability to accurately transfer shape to the
two-dimensional picture plane
C. Seeing the contour of a 3‑dimensional form
d. To see and use positive and
negative space relationships in their drawings.
e.
Ability to translate visual information from student’s viewpoint to the paper
f. Have the ability to create an illusion of depth by
linear perspective and foreshortening.
g. Create depth and volume by value: local value, the
use of a light and shadow.
h. Aerial or atmospheric perspective.
i. Practice using compositional devices for creating
depth (location on page, size, overlapping, diagonals, etc.).
j. Seeing relationships to the entire page have the
ability to relate parts to the whole (composition).
K. Become more skilled
with familiar drawing materials, experiment with new materials
Many of the above skills will be
practiced using a life (un-draped) model as subject.
This will necessitate acquiring
new skills and information.
Additional outcomes (than the
ones addressed above) in drawing the figure will be:
a. Familiarity of human form as a
whole, seen as a relationship of parts
b. Gesture studies of movement
and mass
c. Planar and geometric structure
of the figure
d. Basic anatomy and proportions
of the figure
e. Developing the figure in
compositional arrangements
II. COURSE EXPECTATIONS
Students are expected to:
1. Attend class regularly. Students absent
more than 3 times may receive an F grade
2. Complete class work projects on your
own time if you are not able to during the class
period.
3. If you miss information regarding an
assignment, it is your responsibility to get that
assignment from
another Student.
4.
You are expected
to participate in the critique process.
5.
We will be working
with live models throughout the quarter. These models are scheduled in advance
and will work through the entire
session except during required breaks. The room is not opened to anyone who is
not
enrolled in this course. Models are to be treated with privacy and
professional courtesy.
DO NOT
BE LATE WHEN A MODEL IS IN SESSION. The room is only open during breaks for
entrance.
6. There is
a possibility of going on at least one field trip in ART 121
7. Absolutely No photography of the models is
allowed in the classroom
STUDIO GUIDELINES: For the purpose of making
the classroom environment and studio time beneficial to ALL students by
limiting behavior which distracts from students ability to concentrate on their
work, please employ the following guidelines:
no
eating in class (use break time)
- no beepers, cell phones-NO TEXT MESSAGING! IPODS etc. are OK as long as lecture or critique is not
-
taking
place
-
use
studio time for assigned work (not math assignments, writing letters, etc
-
general conversation(outside of lecture) and
student interaction is encouraged, but try and not disturb the class as a
whole, if so, you will be asked to leave the class room by the instructor.
-
BREAK: There will be a 15 minute break at
mid-class each day
III GRADING
Grading is based on all class work and homework. The in-class work is
designed for the achievement and practice of the course’s outcomes where the
instructor can assist and answer questions.
Home assignments will address more in-depth explorations of issues with
an emphasis on creative problem solving.
Drawings will be graded as a group in a mid-quarter portfolio worth 25% of
your grade and a final portfolio worth 50% of your grade, homework 25%.
The instructor
is available throughout the quarter for individual evaluation or input on
specific assignments.
An “A” grade |
Means mastery of all course outcomes and exceptional quality in your
drawings. |
“B” level |
Requires an above average, reasonable complete mastery of course
outcomes. |
“C” level |
Is for people that extend a reasonable effort and meet all requirements
(assignments, attendance etc. for the course. |
“D” and below |
Is indication of not meeting the requirements for this class. |
In addition to monitoring
your project grades, I also maintain a studio evaluation in order to be able to
respond to questions regarding your class participation. I record the following:
0 = absent
L late counts as one half absence ( students
need to alert me if they have missed role
LE = left early (counts as one half absence)
NP = not prepared
NW = not working
LOCKERS
Lockers
are available in Building C hallways, and are allotted, one to each three
students. You claim a locker, simply by writing your and your locker mates'
names on the tag in the door. Your group of three is responsible for obtaining
a lock. Be sure to empty your locker at the end of the quarter by the date
shown on the form.
Affirmation of Inclusion
Bellevue College is committed to maintaining an environment in which every member of the campus community feels welcome to participate in the life of the college, free from harassment and discrimination.
We value our different backgrounds at Bellevue College, and students, faculty, staff members, and administrators are to treat one another with dignity and respect. http://bellevuecollege.edu/about/goals/inclusion.asp
NOTE:
· Student Procedures & Expectations for the Arts and Humanities Division is located at http://bellevuecollege.edu/artshum/policy.html
Arts and Humanities
Commitment to Student Growth and Development
· http://bellevuecollege.edu/artshum/AHGdlns-StdntGrwth.htm or copies can be picked up at the
Arts & Humanities Division |
(425) 564-2341 |
R230 |
Information about
Bellevue Colleges copyright guidelines can be found at: http://bellevuecollege.edu/lmc/links/copyright.html
Student Code
“Cheating, stealing and plagiarizing (using the ideas or words of another as one’s own without crediting the source) and inappropriate/disruptive classroom behavior are violations of the Student Code of Conduct at Bellevue College. Examples of unacceptable behavior include, but are not limited to: talking out of turn, arriving late or leaving early without a valid reason, allowing cell phones/pagers to ring, and inappropriate behavior toward the instructor or classmates. The instructor can refer any violation of the Student Code of Conduct to the Vice President of Student Services for possible probation or suspension from Bellevue College. Specific student rights, responsibilities and appeal procedures are listed in the Student Code of Conduct, available in the office of the Vice President of Student Services.” The Student Code, Policy 2050, in its entirety is located at: http://bellevuecollege.edu/policies/2/2050_Student_Code.asp
Bellevue College E-mail and access to MyBC
All students
registered for classes at Bellevue College are entitled to a network and e-mail
account. Your
student network account can be used to access your student e-mail, log in to
computers in labs and classrooms, connect to the BC wireless network and log in
to MyBC. To create your account, go to:
https://bellevuecollege.edu/sam
.
Class announcements and homework assignments and
links to helpful web sites will on be posted on the classes MyBC web
site.
BC offers a wide variety of computer and learning labs to enhance learning and student success. Find current campus locations for all student labs by visiting the Computing Services website.
Disability Resource Center (DRC)
The Disability Resource Center serves students with a wide array of learning challenges and disabilities. If you are a student who has a disability or learning challenge for which you have documentation or have seen someone for treatment and if you feel you may need accommodations in order to be successful in college, please contact us as soon as possible.
If you are a person who requires assistance in case of an emergency situation, such as a fire, earthquake, etc, please meet with your individual instructors to develop a safety plan within the first week of the quarter.
The DRC office is located in B 132 or you can call our
reception desk at 425.564.2498. Deaf
students can reach us by video phone at 425-440-2025 or by TTY at
425-564-4110. . . Please visit our website for application
information into our program and other helpful links at www.bellevuecollege.edu/drc
Public Safety
The Bellevue College (BC) Public Safety Department’s well trained and courteous non-commissioned staff provides personal safety, security, crime prevention, preliminary investigations, and other services to the campus community, 24 hours per day,7 days per week. Their phone number is 425.564.2400. The Public Safety website is your one-stop resource for campus emergency preparedness information, campus closure announcements and critical information in the event of an emergency. Public Safety is located in K100 and on the web at: http://bellevuecollege.edu/publicsafety/
Final Exam Schedule
Scheduled on 12/6 12:30pm pick up
portfolios
Academic Calendar
The Bellevue College Academic Calendar is separated into two calendars. They provide information about holidays, closures and important enrollment dates such as the finals schedule.
( Tentative) ASSIGMENT SCHEDULE
Tuesday Thursday
9/18 Introduction/Syllabus
/Supplies |
9/20 Intro Gesture/ contour/ blind contour |
9/25 Model Gesture/
contour proportional
relationships |
9/27 Model slow contour/gesture/cross contour / HMWK hand contours |
10/02 Model |
10/04 Model weight
and model Hmwk. Foot cross contours |
10/09 No
School |
10/11 Model /(ink) gesture/quick contour /weight and modeled drawing Model/ planar structure |
10/16 Model
/proportional relationships/ gesture/quick contour / cross
contour/gesture/mass foreshortening |
10/18 critique Print pictures /Hmwk-first section
S.P. Hand in Mid-quarter Portfolio/ 25% of grade |
10/23 Model weight
and modeled drawing |
10/25 first
section/self portrait due /Hmwk-second section S.P. |
10/30 Model /gesture/quick contour/ composition |
11/01 l / critique
self portrait (2nd section) Print pictures /Hmwk-third
section S.P. |
11/06 Model |
11/08 Self
Portrait Due Critique |
11/13 Model /gesture/straight and curved hand in
self-portrait |
11/15 Model /multiple composition |
11/20 Model
/gesture/extended pose |
11/22 No School |
11/27 Model |
11/29 Model |
12/04 Critique/ Hand in Final Portfolios at the end
of class 50% of class 25% Homework |
12/06 pick up
portfolios Clean Out Lockers |
Supply List
Rough newsprint pad, 18" x 24" ‑100
sheets
400 Strathmore Drawing pad, 18" x 24"
36” wide x 10 yards CO-MO Sketch white roll
36” x 10 yards Bogus Rough Sketch roll
2 sheets medium tan charcoal paper
A box of Vine Charcoal
CHAR‑KOLE brand (WEBER COSTELLO), soft
compressed charcoal
Charcoal pencils
Kneaded eraser
Plastic eraser
One quart Acrylic Gesso
India or sumi ink
Quill pen/or stick
Bamboo or sumi brush
Cups or jars
Conte crayon‑ white/black/orange
Paper stumps for blending ( Tortillion )
Drawing Board with clips
Color Pastels
Paper portfolio or hand‑made substitute
Masking Tape
RECOMMENDED
Lock
Work Apron or Old Clothes
Latex Gloves or Hand Cream
Box to Transport Materials
Krylon Crystal clear spray fixative
Suggested
Readings
The Natural Way to
Draw by Nicolaides
The Art of
Drawing by Chaet
Drawing on the
Right Side of the Brain by Betty Edwards
Drawing from Life by
Clint Brown and Cheryl McLean
Drawing/A
Contemporary Approach by Claudia Betti and Teel Sale
Anatomy for the
Artist by Jeno Barcsay
Drawing from
Observation by Brian Curtis