ENGLISH 092- Developmental English | FALL
2013
Instructor: Mike
Beasley Class Times M/W 5:30-7:40
Phone: 425-564-2526
Email:michael.beasley@bellevuecollege.edu
Office & office
hours: R230, by appt M or W.
TEXTS
The following texts
are required for this course:
1. Clouse: Patterns for a Purpose
(PP)
2. A standard college dictionary
MATERIALS: Pencils/pens,
standard notebook paper, stapler
COURSE OVERVIEW
In this class you
will critically analyze and evaluate what you read, you will be challenged to
express your perspective on a range of given topics, and you will write academic
essays that convincingly develop your perspective. In general, to succeed in this class, you
must:
*Question what you
read; cultivate an inquiring mind; analyze.
*Write articulate essays
that thoroughly and coherently develop a personal yet credible point of view on
an assigned topic.
*Use Standard English
diction, grammar, and mechanics to make your writing forceful and clear.
Specific Objectives—see also “English 092
Outcomes” in the Arts and Humanities/English courses website.
By the end of this
quarter, you should be able to:
*read and appreciate
well-craft prose
*generate and
discover relevant ideas with which to develop a
given topic
*use various patterns
of exposition to develop your essays
*formulate a
thoughtful, engaging thesis
*develop a coherent
essay that communicates what your thesis
promises to deliver
*write unified and
coherent paragraphs that collectively support
a thesis
*exercise good
judgment in diction: word choice, precise language
*write Standard
English sentences, varied in structure and length
*detect and correct
your own grammar, spelling, and usage errors
GRADING—Here is what
percentage each set of assignments is worth:
Four essays . . . . .
. . . . . . . . . . . 400
Homework & class
work. . . . . . .100
Total Class points .
. . . . . . . . . . 500
The grading
calculation is based on a simple percentage of the total points:
90-100% = A
86-89% = B+
80-85% = B
76-79% = C+
73-76% = C
70-72% = C-
60-69 % = D
LATE WORK POLICY
*YOU MAY SUBMIT ANY ONE
OF YOUR ASSIGNMENTS ONE CLASS PERIOD LATE WITH NO PENALTY EXCEPT FOR THE FINAL
ESSAY—ESSAY 4. “Late” means turned in after the due date for
any reason, including getting
your essay handed back for incorrect formatting, unsecured pages, etc. Only
one assignment can be submitted late.
*YOUR FINAL ASSIGNMENT—ESSAY 4--WILL NOT BE ACCEPTED LATE
FOR ANY REASON, NO EXCEPTIONS.
*EMAIL is for correspondence only; it is not for
submitting coursework. Therefore, emailed course work will not be accepted. I will only take hard copies submitted in
class. This institution offers on-line
college courses. If you are interested, see the course catalog.
SPECIAL CRITERIA FOR ESSAY #1 and 2:
All of the following
items must be submitted in order to get the full potential points for each
essay:
1. You must
submit a preliminary outline (See PP 47-51) along with a typed, double-spaced
first draft for essay 1, and a full typed, double-spaced first draft for essay
2. Proper essay format for drafts is
required--See PP 712-16.
2. Attend an
individual feedback conference with me (Essay 1) and a peer feedback activity
(Essay 2)
Completing #1 & 2 above = +20 out of the total +100
points possible for each of these essay assignments.
FORMAT FOR ESSAYS--MLA: typed,
double-spaced, 12-14 point font, one inch margins all around, indented
paragraphs, centered title, name and heading information in the left corner. Pages must be stapled in the left corner. Do not
include a cover page. Again, See
PP 712-16 for a visible model of correctly formatted pages. IMPROPERLY FORMATTED PAPERS WILL RECEIVE A GRADE DEDUCTION.
SAR—Essays you write must demonstrate your understanding of
what it means to summarize, analyze, and respond to/evaluate what you read:
Thus, SAR stands for Summary/Analysis/Response.
In assignments that call for it, a perceptive and accurate reading of
assigned essays must be evident in your writing. Your writing will be evaluated
on how well you meet the following qualities:
1. ACCURACY (AC)--Does your writing reflect accurate
comprehension close reading? In other
words, do you effectively comment on and summarize the reading?
2. RELEVANCE (REL)--Does your analysis and
response sufficiently and directly address the terms of the writing prompt?
3. EDITING (ED)—Did you edit your writing
before submitting it?
Fundamental spelling
competency, grammatical sentences, diction precision, and legibility are
required. Use a dictionary, spell check,
etc.
CLASS PARTICIPATION
1. Attend class:
Your success in this class will largely depend on your attentive presence. I will take roll promptly at the beginning of
class. If you do not answer when I call
your name, I will mark you absent. If you do not remind me immediately
after class that you were late, your tardy will count as an absence. If you are here for only half of the class,
you get half attendance credit. If you have more than 10 absences for the
Quarter—which in our case means five class periods--you cannot pass this
class.
2. Participate
actively in class discussions and activities.
3. Please follow
classroom etiquette. The college
classroom is a public space, a group learning environment. Thus, whatever impedes your and your fellow
students' learning cannot be tolerated.
The following are not permitted in this class by anyone,
no exceptions.
*Sudden departures
from the classroom—very disruptive.
*Frequent tardiness—very rude; arrive promptly.
*Cell phone use:
sending or receiving calls or texts. If
you decide that you must leave the room to answer a call for any reason,
please wait for the next break or the next class, whatever the case may be, to
avoid disrupting the flow of the class.
*Talking out of turn:
one person talks at a time.
If you find it
impossible to curtail any of these behaviors after I’ve confronted you, this
may not be the class for you.
*The upshot? Respect others, as you want others to respect
you. Consult this link: http://bellevuecollege.edu/Arts/Hum/policy
NOTE: Avoid Plagiarism:
copying or otherwise falsely representing another writer’s words or ideas as
your own without referring to the author.
It is strictly forbidden, subject to penalty.
DISABILITIES: If you have a documented disability which affects your academic
performance, contact the Disability Resource Center (DRC) on campus in the
Library Media Center (LMC). They are
equipped to service your needs.
WEEKLY AGENDA AND
ASSIGNMENT SCHEDULE
*The following
schedule is subject to change. It is your job to keep apprised of
any schedule changes by attending class regularly.
*All readings must be
completed by the dates on the syllabus. Furthermore,
other readings not appearing below will be distributed and/or assigned
throughout the course. Again, attendance
is crucial to ensure that you get these materials.
WEEK 1—Sept. 23, 25:
INTRO. TO COURSE: Reading critically; the college essay; the writing process.
Read Chapter 2; read
Chapter 3.
Summarizing: read PP
13-15, 95-97
WEEK 2—Sept. 30, Oct.
2: NARRATION, DESCRIPTION, PROCESS,
Read “Narration” PP
181-97 and “Description” PP 119-37
Read “Process
Analysis,” PP 291-305
Read “The Homestead
on Rainy Mountain Creek” PP 140-42
Read “The Deer of
Providencia” PP 150-53
Read “A Hanging” PP
665-69
WEEK 3—Oct. 7, 9: EXEMPLIFICATION
PP 233-48
Week 2 topics, cont.
+WEDNESDAY: PRELIMINARY OUTLINE AND DRAFT OF ESSAY 1 DUE
WEEK 4—Oct. 14, 16: EXEMPLIFICATION,
cont; COMPARISON/CONTRAST
+MONDAY: CONFERENCES REGARDING ESSAY 1 OUTLINE &
DRAFT
+WEDNESDAY: ESSAY 1 DUE.
Read Writing and
Revising: Read Chapter 3, PP 59-86 to prepare for in-class group assignment.
Read “Untouchables”
PP 275-81
WEEK 5—Oct. 21, 23: COMPARISON/CONTRAST
PP 349-65
WEDNESDAY OCTOBER 23: NO CLASS
Read “Grant and Lee”
PP 367-70
“Untouchables” cont.;
additional handout also.
WEEK 6—Oct. 28, 30: COMPARISON/CONTRAST
PP 349-65
+MONDAY: ESSAY 2 PEER REVIEW ACTIVITY: FULL TYPED,
DOUBLE-SPACED DRAFT REQUIRED.
+WEDNESDAY: ESSAY 2 DUE
Untouchables” cont.
WEEK 7—Nov. 4, 6:
CAUSE AND EFFECT pp 413-25
Discuss student essay
“Why Athletes Use Steroids” PP 424-26
Readings TBA
WEEK 8-Nov. 11, 13: CAUSE
AND EFFECT, cont.
MONDAY NOVEMBER 11: NO CLASS
+WEDNESDAY: ESSAY 3 DUE
FILM: ANALYSIS OF
CHARACTER ACTION AND MOTIVATION
WEEK 9—Nov. 18, 20: FILM,
cont.
Read: “Argumentation
and Persuasion,” PP 571-91
WEEK 10: Nov. 25, 27:
CHARACTER ANALYSIS IN FILM, cont.
WEEK 11—Dec. 2, 4: FLIM
DISCUSSION, CONT.
WEEK 12—FINALS WEEK
+FINAL ESSAY 4 DUE ON_________________________________
NO LATE SUBMISSIONS, NO EXCEPTIONS.