Dale
Lindman Art 240 Beginning Painting/Spring 2013 Rm C256 3:30 to 6:20 pm Tu & Th
Office: C250C Office Hours 230 pm -3:30 pm on T, &Th
1:30-2:30 M & W
Phone: 425‑564‑2053
Fridays by appointment
& online, dlindman@bellevuecollege.edu
and by phone - 425-564-2053
.
Beginning Painting introduces color
theory and techniques for working in oils. Students learn modeling in light and
shade ,composition,pigments,grounds and the history of paintings. Includes six
hours of lecture and lab, with additional time required outside class which may
include a field trip to art galleries or museums.
I. COURSE OUTCOMES
The knowledge and skills the student should acquire during beginning
painting are as follows:
Upon
the successful completion of ART 240 Beginning Painting the student will;
-
understand
and demonstrate competent color mixing from a limited palette and the
principles of color theory
-
understand and
demonstrate a basic knowledge of paint application techniques
-
understand and
demonstrate a basic knowledge of media
manipulation regarding paints and companion materials
-
understand and
demonstrate basic formal concerns in painting; composition, shape, value, space, texture
-
understand a basic
historical perspective regarding painting throughout Art History
- understand and demonstrate objective
critique process regarding painting
II. COURSE EXPECTATIONS
Students are
expected to:
1. Attend class regularly. Students absent
more than 3 times may receive a F grade
2. Attend class on time. Students arriving
late or leaving early means you are marked 1/2
day
absent.
3. Complete class work on time. Late work
is accepted up to 3 days after which it was
assigned and
down‑graded accordingly.
4. Complete class work projects on your
own time if you are not able to during the class
period.
5. If you miss information regarding an
assignment, it is your responsibility to get that
assignment from another Student.
6.
You
are expected to participate in the critique process.
7.
STUDIO GUIDELINES: For the purpose of making
the classroom environment and studio time beneficial to ALL students by
limiting behavior which distracts from students ability to concentrate on their
work, please employ the following guidelines:
no
eating in class (use break time)
- no beepers, cell phones-NO TEXT MESSAGING! IPODS etc. are OK as long as lecture or critique is not
-
taking
place
-
use studio
time for assigned work (not math assignments, writing letters, etc
-
general conversation(outside of lecture) and
student interaction is encouraged, but try and not disturb the class as a
whole, if so, you will be asked to leave the class room by the instructor.
-
BREAK: There will be a 15 minute break at
mid-class each day
Ill. GRADING
Grading is based on both in‑class paintings and
watercolor homework assignments.
Generally, persons who extend a reasonable effort and MEET ALL
THE REQUIREMENTS (assignments, attendance, etc.) will attain at lease a
"C" level, although there are, of course, no guarantees. A
"C" level grade from this course on your transcripts or resumes
signifies that you are COMPETENT in your painting abilities regarding the above
stated outcomes.
"B" level will require an above average; reasonably
complete mastery of the painting outcomes..
An "A" level will additionally require outstanding
skill development, illustrated by exceptional paintings completed in both the
homework and in‑class assignments.
YOUR WORK WILL BE
EVALUATED IN REGARDS TO YOUR PROFICIENCY IN THE MASTERY OF COURSE OUTCOMES
SUCCESSFULLY IN YOUR PAINTINGS AND HOMEWORK.
MATERIALS: A materials list is given to you on the first day of the class. You are required to have these materials available to you DURING CLASS. Lockers are provided for this purpose. DO NOT COUNT ON PURCHASING MATERIALS DURING THE CLASS STUDIO - PURCHASE IN ADVANCE.
In addition to monitoring your project grades, I also
maintain a studio evaluation in order to be able to respond to questions
regarding your class participation. I
record the following:
0 = absent
L late counts as one half absence ( students need to alert me if they have missed
role
LE = left early (counts as one half absence)
NP = not prepared
NW = not working
Final Exam date: 6/13 3:30
pm
LOCKERS
Lockers are available in Building C hallways, and are
allotted, one to each three students. You claim a locker, simply by writing
your and your locker mates' names on the tag in the door. Your group of three
is responsible for obtaining a lock. Be sure to empty your locker at the end of
the quarter by the date shown on the form.
TEXT: There is no required text for this course, if you are interested in further reading, let me know.
NOTE:
· Student Procedures & Expectations for the Arts and Humanities Division is located at http://bellevuecollege.edu/artshum/policy.html
Arts and Humanities Commitment
to Student Growth and Development
· http://bellevuecollege.edu/artshum/AHGdlns-StdntGrwth.htm or copies can be picked up at the
Arts & Humanities Division |
(425) 564-2341 |
R230 |
COMMITMENT TO ACCOMMODATION
“Students with disabilities who have accommodation needs are required to meet with the Director of the Disability Resource Center (in Room B132) to establish their eligibility for accommodation. Telephone: (425) 564-2498 or TTY (425) 564-4110. In addition, students are encouraged to review their accommodation requirements with each instructor during the first week of the quarter.”
Information is also available at the DRC website at http://bellevuecollege.edu/drc/
OTHER LINKS
Syllabus, supplies and links: go to your MyBC site for ART 240
A good web site for painting information : http://www2.evansville.edu/studiochalkboard/paint.html
For history of pigments: http://webexhibits.org/pigments/
Acrylics-http
://www.goldenpaints.com/artist/mixguide.php
Color illusion
http://www.patmedia.net/marklevinson/cool/cool_illusion.html
Encaustics- http://www.rfpaints.com/1-Encaustics/EncausticTop.htm
BC Gallery Space http://bellevuecollege.edu/artshum/galleryspace/
A goal of this class is to eliminate traditional solvents from the Oil Painting process as possible so highly recommended for use in this course is
Water Miserable Oil Paints
ART240/242
Artisan Oil Kit
200 ml Titanium
White
37 ml Ivory Black
37 ml Cadmium Red
Hue
37 ml Perm Alizarin
Crimson
37 ml French
Ultramarine
37 ml Phthalo Blue
37 ml Phthalo Green
37 ml Cadmium
Yellow Hue
37 ml Raw Sienna
37 ml Burnt Umber
37 ml Cerulean Blue
Hue
37 ml Zinc White
250 ml Painting
Medium
75 ml Fast Dry
Medium
4 oz Dorland's Wax
medium
Gesso
Pocket Color Wheel
Oil Brushes White
Nylon Long Handle Set
15x18 Vinyl Mesh
Bag
Pocket Color Wheel
Oil Brushes White
Nylon Long Handle Set
Gel Packs
Art240
Watercolor
Grumbacher TUBE WATERCOLORS
6x9 Deluxe Drawing pad
10x13 Mesh & Vinyl Bag
w/Zip
7.5 ml Burnt Sienna
7.5 ml Cad Yellow Pale
7.5 ml Grumbacher Red
7.5 ml Chinese White
7.5 ml Phthalo Green
7.5 ml Ultramarine Blue
Simply Simmons #6 Round
watercolor Brush
I have made arrangments
for AN ARTFUL TOUCH in Kirkland to these supplies in pre-made kits at a
much lower price than buying items individually.
If ordered by phone on the
first day of class, they will deliver them to the classroom on the second day
of class. (other art store options are listed below).
Supports are not included
in the pre-made kits
:Every student has
to make at least one canvas from supports and cotton duck/ smallest size
Heavyweight paper
(Heavy poster board or quality printing paper)
Cotton Duck 10oz
weight canvas
Stretcher bars
(bought or handmade)
Palette (glass,
plastic, paper disposable-non-porous/flat)
Palette Knife/knives
One cheap trim brush
(2”-4”)
Vine Charcoal
Wood Glue
Masking Tape
Box to carry paints,
old clothes etc.
I have made
arrangments for AN ARTFUL TOUCH in
Kirkland to these supplies in pre-made kits at a much lower price than buying
items individually.
If ordered by phone
on the first day of class, they will deliver them to the classroom on the
second day of class.
ART
SUPPLY STORES LIST FOR STUDIO CLASSES
An Artful Touch, 12437 116th Ave. N.E.
Kirkland, WA 98034
425-823-2336 www.artfultouchonline.com
Daniel Smith Inc, 4150 First Avenue South, Seattle,
206-223-9599.
www.danielsmith.com 15112 NE 24th Street, Bellevue,
425-643- 1781
Artist & Craftsman Supply, 4350 Eighth Ave NE, Seattle,
www.artistcraftsman.com 206-545-0091.
University Bookstore, 4326 University Way NE, Seattle, 206-634-3400
www.ubookstore.com
990 102nd Ave NE, Bellevue,
425-462-4500
Bellevue Art
& Frame, 1024
116th NE Blvd., Bellevue,
425-453-8959.
Utrecht Art Supply Center, 1124 Pike, Seattle, 206-382-9696.
Dick Blick 1600 Broadway Avenue,
Seattle, WA 98122
http://www.dickblick.com/stores/washington/seattle/
ASSIGMENT SCHEDULE
(Tentative)
Tuesday Thursday
402 Introduction/Syllabus
Supplies .Order supplies |
4/04 Value Still life Supports/Stretching Canvas/Color wheel/ palette/ WC sketchbook |
4/09 Painting Materials Demo |
4/11 Value Still life WC sketchbook |
4/16 Value Still life |
4/18 Value
still life Critique/ Color lecture WC sketchbook |
4/23 Start
Pos/Neg –Split Complements painting-blocking in /WC sketchbook |
4/25 Split Compliment Painting WC sketchbook Painting/Approval of painting to copy |
4/30 Split
Compliment /Critique |
5/02 Split Compliment critique WC sketchbook Intro Warm/Cool Still life |
5/07 Start Warm/Cool Still life / |
5/09 Warm/Cool Still -painting copy/ WC sketchbook |
5/14 Warm/Cool Still life |
5/16 Glazing
painting copy WC sketchbook Warm/Cool Still life critique |
5/21 Figure Painting |
5/23 Figure Painting Critique painting copy/Intro Figure WC sketchbook |
5/ painting copy Painting critique Figure/ |
5/30 painting copy WC sketchbook |
6/04 Intro
Plein Aire Painting |
6/06 Plein
Aire Painting WC sketchbook |
6/11 Plein
Aire Painting |
6/13
Final Day
Critique Plein Aire Painting 3:30 CLEAN OUT LOCKERS |
History
of Painting and Pigments lectures will be ongoing.