COURSE INFORMATION AND SYLLABUS FOR ENGLISH 101: WINTER 2013

 

Instructor: Mike Beasley         Class Times: T/R 3-5:10 pm

Phone: 425-564-2341                                                                          

Email:michael.beasley@bellevuecollege.edu

Office & office hours: R230, by appt.

 

TEXTS

The following texts are required for this course:

            1. Clouse: Patterns for a Purpose (PP)

            2. A standard college dictionary

 

MATERIALS: Pencils/pens, standard notebook paper, stapler

 

COURSE OVERVIEW

In this class you will critically analyze and evaluate what you read, you will be challenged to express your perspective on a range of given topics, and you will write academic essays that convincingly develop your perspective.  In general, to succeed in this class, you must:

*Question what you read; cultivate an inquiring mind; analyze.

*Write articulate essays that thoroughly and coherently develop a personal yet credible point of view on an assigned topic.

*Use Standard English diction, grammar, and mechanics to make your writing forceful and clear. 

 

Specific Objectives—See also “English 101 Outcomes” in the Arts and Humanities/English courses website.

By the end of this quarter, you should be able to:

*read and appreciate well-craft prose

*generate and discover relevant ideas with which to develop a  given topic

*use various patterns of exposition to develop your essays

*formulate a thoughtful, engaging thesis

*develop a coherent essay that communicates what your thesis promises to deliver

*write unified and coherent paragraphs that collectively support a thesis

*exercise good judgment in diction: word choice, precise language

*write Standard English sentences, varied in structure and length

*detect and correct your own grammar, spelling, and usage errors

 

GRADING—here are the maximum points for assignments:

Four essays . . . . . . . . . . . . . . . .               400 points

Homework & class work. . . . . . . . .approx.100 points

Total points for the course . .    . . . approx.500 points

 

The grading calculation is based on a simple percentage of the total points:

90-100% = A

80-89%  = B

70-79%  = C

60-69 % = D

 

LATE WORK POLICY

*Except for your last essay, YOU MAY SUBMIT ONE OF YOUR FIRST THREE ESSAYS ONE CLASS PERIOD LATE WITH NO PENALTY. All others must be submitted on time and cannot be submitted late for any reason, no exceptions.

 

*YOUR FINAL ESSAY WILL NOT BE ACCEPTED LATE, NO EXCEPTIONS.

 

*HOMEWORK AND CLASSWORK CANNOT BE MADE UP, NO EXCEPTIONS.

 

*EMAIL is for correspondence only; it is not for submitting coursework. Therefore, emailed course work will not be accepted.  This institution does offer on-line college courses if you are interested.  See the course catalog.

 

SPECIAL CRITERIA FOR ESSAY #1:

Good writing is the result of a process.  Consequently, your first essay must be submitted in stages.  NOTE: For essay #1, you must submit a preliminary outline (See PP 47-51) and a typed, double-spaced first draft in MLA page format (See PP 712-16).  If you fail to meet any of these requirements, you will lose homework credit.  After you have submitted all the required stages of your writing, I will assign a grade to your final submission.

 

Other essays: I will specify what to submit when the assignment is given.

 

FORMAT FOR ESSAYS--MLA: typed, double-spaced, 12 point font, one inch margins all around, indented paragraphs, centered title, name and heading information in the left corner.  Do not include a cover page.  Staple your pages to avoid separation.   Again, See PP 712-16 for a visible model of correctly formatted pages. IMPROPERLY FORMATTED PAPERS MAY BE RETURNED OR RECEIVE A GRADE DEDUCTION.  THE LATE ASSIGNMENT POLICY APPLIES.  

 

SAR—throughout the quarter, your essays will be increasingly evaluated on how skillfully and perceptively you SAR. SAR stands for Summarize/Analyze/Respond. Thus, In addition to being properly formatted, your writing will be evaluated on how well you meet the following criteria:

  1. ACCURACY (AC)--Does your writing reflect an accurate comprehension and a close reading of assigned materials?  In other words, do you effectively comment on and summarize what you’ve read?

  2. RELEVANCE (REL)--Does your writing articulately and directly address all the criteria of the writing assignment?

  3. EDITING (ED)—did you edit your writing before submitting it?            

Fundamental spelling and grammar competency, the use of a variety of sentence patterns, diction crispness and precision—these writing virtues are always required. 

 

CLASS PARTICIPATION

1.  Be prepared for unannounced quizzes on assigned readings.

2.  Attend class: I will take roll promptly at the beginning of class. If you do not answer when I call your name, I will mark you absent.  If you do not remind me immediately after class that you arrived late, your tardy will remain an absence.  If you acquire more than ten class periods of absence during the quarter, you cannot pass this class. For a class that meets twice a week, that means five classes, since each class is two hours long.     

3. Participate actively in class discussions and activities. 

4. Please follow classroom etiquette.  The college classroom is a public space, a group learning environment.  Thus, whatever impedes your and your fellow students' learning cannot be tolerated. 

The following behaviors are not permitted in this class by anyone, no exceptions:

*Sudden departures during class; disruptive.  Please do not return to class until the next period.

*Frequent tardiness—very inconsiderate; arrive promptly for each class session.  If you are frequently tardy, I will start a log and discreetly refer you to relevant campus counselors to discuss resolving whatever issues impede you from arriving on time.

*Cell phone use: sending or receiving calls or texts.  If you decide that you must leave the room to answer a call for any reason, please do not return until the next class session or after the break, whatever the case may be. It’s disruptive.  You may later contact me through email or make and appointment with me.

 

 

CLASS PARTICIPATION, behaviors not permitted, cont.

*Talking out of turn: one person talks at a time; the class listens; then it is someone else’s turn.  That’s the convention.

 

*The upshot?  Respect others, as you want others to respect you.

If you cannot curtail these behaviors after being confronted, perhaps this is not the class for you.

 

Consult your student manual for clarifications on student responsibilities if you must. 

 

NOTE: Avoid Plagiarism: copying or otherwise falsely representing another writer’s words or ideas as your own, accidentally or deliberately, without referring to the author.  It is strictly forbidden, subject to penalty.  Any questions? 

 

DISABILITIES: If you have a documented disability which affects your academic performance, contact Disability Services on campus.  They are equipped and willing to service your needs.

 

WEEKLY AGENDA AND ASSIGNMENT SCHEDULE

 

*The following schedule is subject to change. Please keep apprised of any schedule changes by attending class regularly.

 

*Homework and class work assignments are not listed below. I will assign these as the course proceeds. 

 

*All readings must be completed by the dates I announce.  Furthermore, other readings not appearing below will be distributed and/or assigned throughout the course.  Again, attendance is crucial for you to get necessary materials.

 

WEEK 1—Jan. 3: INTRO. TO COURSE

Discuss the syllabus; writing diagnostic.

Read “Writing a Summary” PP 95-97

 

WEEK 2—Jan. 8, 10: NARRATION, DESCRIPTION, PROCESS,

Read PP 3-54

Read “Narration” PP 181-97 and “Description” PP 119-37

Read “Process Analysis,” PP 291-305

Read "A Hanging," PP 665-69

Read “The Homestead on Rainy Mountain Creek” PP 140-42

Read “The Deer of Providencia” PP 150-53

 

WEEK 3—Jan. 15, 17: Week 2 topics continued

EXEMPLIFICATION PP 233-48

OUTLINE AND FULL DRAFT OF ESSAY 1 DUE TUESDAY: 20 POINTS

THURSDAY: INDIVIDUAL CONFERENCES: 10 POINTS

Writing and Revising Read Chapter 3, PP 59-86

 

WEEK 4—Jan. 22, 24: COMPARISON/CONTRAST PP 349-65

Read “Grant and Lee. . .” PP 367-70

Read “Once More to the Lake” PP 691-96

TUESDAY: ESSAY 1 DUE

 

 

 

WEEK 5—Jan. 29, 31: COMPARISON/CONTRAST CONT.

Read “Untouchables” PP 275-81 and accompanying handout

 

WEEK 6—Feb. 5, 7 22-26: CAUSE/EFFECT, DEFINITION

Read PP 413-25: Cause and Effect

Read PP 523-34: Definition

 

WEEK 7—Feb. 12, 14: Cause/effect and definition, cont.

TUESDAY—ESSAY 3 ACTIVITY: PEER FEEDBACK.  BRING A FULL, CORRECTLY FORMATTED DRAFT OF ESSAY 3.

Read “Conspiracy Theories 101” PP 536-39

 

WEEK 8-Feb. 19, 21: Week 7 cont.

TUESDAY: ESSAY 3 DUE

Read “Just Walk on By. . .” PP 448-51

 

WEEK 9—Feb. 26, 28: BEGIN FILM ANALYSIS UNIT.

ARGUMENTATION AND PERSUASION: PP 571-91

Effective argumentation: raising and countering objections

Read/review “Detecting Errors” PP 7-9

 

WEEK 10--March 5, 7: FILM ANALYSIS CONT.

 

WEEK 11—March 12, 14: FILM ANALYSIS CONT.

 

 

WEEK 12—March 18-20: FINALS

 

YOUR FINAL ESSAY FOR THIS CLASS IS DUE BY________________________

 

NO LATE SUBMISSIONS ACCEPTED, NO EXCEPTIONS.