![\"Styrofoam](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2025\/09\/Parker-Rock-Piles-300x225.jpg\")
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Matthew Parker<\/strong><\/p>\n October 13- March 1<\/strong><\/p>\n Matthew Deane Parker is a disabled multimedia artist [B. 1991] that works in sculpture, photography, and installation. Parker\u2019s practice explores the nature of making bodies of work without a working body. He uses foam boulders to create physical barriers in spaces to implore the audience to reconsider their relationship with what is hard, heavy, or mobile. His work humorously explores the contradictions between disabled bodies existing in abled spaces, and the burdens of navigating art, labor, and relationships with a disability. Parker has recently shown work at Coffin Farm [Redmond], Specialist [Seattle], and King County 4Culture [Seattle]. Parker earned his BFA in Visual Art from Cornish College of the Arts in 2022. He is currently residing in Seattle and working towards his MFA at School of the Art Institute of Chicago.<\/span><\/p>\n <\/p>\n <\/p>\n Chris Arslain, Dale Lindman, Molly Vaughan, Tahle Patton, Kapka Stoyanova, Chris Oliver, and Iole Alessandrini.<\/span><\/p>\n <\/p>\n May 8-September 30, 2025<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Katie Miller was born and raised in the wilderness of Northeastern Minnesota’s Iron Range, but is now deeply rooted in the Pacific Northwest. Miller\u2019s interdisciplinary practice is situated at the intersection of art, architecture, and science, and is rooted in research, experimentation, and observation. Miller received a BFA in sculpture from the University of Washington and an MFA in glass from the Tyler School of Art. Miller\u2019s creative practice has been supported by 4Culture, Seattle Office of Arts & Culture, PLAYA: Center for Art & Science, Puffin Foundation, Seattle Art Museum, Joshua Tree Highlands, MadArt, Montello Foundation, McMillen Foundation, Bullseye Glass Factory, Method Gallery, Artist Trust, Art Farm, and Pilchuck Glass School among others. Her work has been exhibited nationally in museums, galleries, and artist-run spaces. Her work can also be found in 4Culture\u2019s public art collection at Harborview Medical Center, as well as in public and private collections including Washington State Public Art Collection, King County Portable Works Art Collection, Amazon, MadArt, and others.<\/p>\n During her residency and exhibition, Katie Miller will shape the galley into installations inspired by mineral extraction processes and the socio-ecological impacts of mining practices. This new work is informed by extensive research and site visits to historic and modern mines in California, Oregon, Minnesota, Colorado, and Montana. It is visually informed by geology maps, aerial photography of open pit mines, historic hand-drawn mine claim and mineral surveys, and months of hiking the Sonoran and Colorado deserts of Joshua Tree National Park in search of its over 300 mines. The resulting exhibition will explore new ways to reconsider our relationship with the geologic materials, minerals, and resources under our feet and interwoven into our everyday.<\/p>\n http:\/\/www.millerkatie.com\/<\/a><\/p>\n https:\/\/www.instagram.com\/vagabondcoyote\/<\/a><\/p>\n Exhibition Title:<\/strong><\/p>\n Underground and Open-Cut<\/p>\n Residency and Exhibition Dates:<\/strong><\/p>\n April 20-June 20<\/p>\n Opening Reception:<\/strong><\/p>\n Thursday May 23rd from 3:30-6:30pm<\/p>\n <\/p>\n This exhibition is supported, in part, by 4Culture and the City of Bellevue.<\/em><\/p>\n <\/p>\n <\/p>\n Ten Northwest artists explore Global Warming through paintings, sculpture, installation and video, each focusing on varying topics of climate concern: rising water, food systems, colonization, environmental pollution, and microplastics. The exhibition Fibonacci Footprint runs from February 9 through April 11 at Bellevue College Gallery Space this winter. The exhibit provides insight into the causes of global warming and what we can do to help heal the planet.<\/p>\n Fibonacci Footprint<\/strong> approaches this new reality through the lens of art. Artists can say what scientists can\u2019t. They bring feeling to the facts, translating data into knowledge, which in turn empowers change. This exhibit unpacks the difficult data, each work the result of thoughtful research aligned with passionate feeling. Some works were built through ongoing dialogue between artists and biologists, geologists and psychologists, some done in active collaboration with these scientists.<\/p>\n <\/p>\n Melinda Hurst Fry<\/p>\n Kite Arner<\/p>\n Holly Ballard Martz<\/p>\n Debbie Tupah<\/p>\n Amanda Manitach<\/p>\n Beverly Naidus<\/p>\n Cara Jaye<\/p>\n Lucia Enriquez<\/p>\n Mary Coss<\/p>\n Nichol Devoy<\/p>\n <\/p>\n Melinda Hurst Fry<\/strong><\/p>\n Melinda Hurst Frye photographically celebrates the ecology of the Pacific Northwest region, with the goals of providing visual evidence of the cycles of the forest floor, bearing witness to the understory, and bridging the poetry of art with biological sciences. To intentionally slow down her own seeing, Hurst Frye often works with a flatbed scanner as a camera which also allows for space and time to connect with the ecology of her surroundings. Melinda lives with her family adjacent to an urban forest in Kenmore, Washington, and is represented by J. Rinehart Gallery in Seattle, Washington.<\/span><\/p>\n Instagram:<\/strong> @mhurstfrye.photo<\/span><\/p>\n Website:<\/strong> mhurstfrye.com<\/span><\/p>\n <\/p>\n Kite Arner<\/strong><\/p>\n Kite Arner (they\/them or she\/her) is a Seattle based artist whose work centers on change, stillness, and transformation; exploring these through composed collections of foraged and found natural materials, bronze casting, wax and wood. Many of their current projects arise from putting natural objects through transformational processes. Kite has a deep appreciation for the beauty found in living nature and is particularly fascinated by the effects natural forces have on animals, plants, and the environment. They believe there is great breadth and commonality in the ways we as people relate to the natural world finding connection, beauty, and metaphor that allows us to share the Socials-<\/strong> @kitelikethebird<\/p>\n Website:<\/strong> https:\/\/www.kitearner.com\/<\/p>\n <\/p>\n Holly Ballard Martz<\/strong><\/p>\n Holly Ballard Martz is a multi-disciplinary artist who makes conceptually based sculptures and installations. Through the transformation of familiar objects, she challenges societal norms and power structures while simultaneously encouraging viewers to question their perceptions. Known for her meticulously crafted work, Martz often addresses difficult or controversial subject matter under the guise of beautifully fabricated and embellished pieces. Martz has exhibited extensively and her work is held in many prominent collections, including the Gates Foundation, the City of Seattle, and the University of Washington. Her monumental installation danger of nostalgia in wallpaper form (in utero)has been exhibited in multiple museums and is on display at the Gates Foundation through December2023 as part of Designing Motherhood. She is the recipient of a McMillen Foundation Fellowship, an Artist Trust Grant for Artist Projects, a Seattle Office of Arts and Culture City Artist Grant, and she was a2022 Neddy Artist Award Finalist.<\/p>\n Website-<\/strong> hollyballardmartz.com<\/p>\n <\/p>\n Debbie Tupah<\/strong><\/p>\n Debbie is a Canadian artist who exhibits internationally. Informed by current issues and events, her work strives to reveal hot-spots and states of precariousness, expose our complicity, and challenge how we function as humans. In 2011 Tuepah received an honours BFA from Emily Carr University of Art + Design (ECU),prior to which she held a lengthly career in marketing. Awards of note include the 2011 ECU Chancellor\u2019s Award for Academic Excellence and Outstanding Work, and with artist Roxanne Charles, their work Bearing Witness contributed to Surrey Art Gallery\u2019s 2019 Canadian Museum Association Award in Indigenous Contemporary Art Education.<\/p>\n Socials-<\/strong> @debbie_tuepah<\/p>\n Website-<\/strong> debbietuepah.com<\/p>\n <\/p>\n Amanda Manitach<\/strong><\/p>\n Amanda Manitach is a self-taught multidisciplinary artist, writer, and curator based in Seattle, WA. The homeschooled daughter of an evangelical minister, she grew up in Kansas and Texas where she spent interminable Sunday mornings drawing pictures on the backs of church bulletins, and eventually went on to earn a degree in literature from Oral Roberts University. Her visual art merges a love of drawing and language in large-scale works on paper and other media that utilize text as playground, producing messages at turns lyrical, mischievous, provocative. In addition to visual art, Manitach has worked extensively as an arts writer, with seven years as visual arts editor at CityArts Magazine. She has co-founded and co-directed multiple artist-run galleries in Seattle, and served as curator at Seattle University\u2019s Hedreen Gallery from 2013-2015. She is represented by Winston Wachter Fine Art in Seattle and New York.<\/p>\n Website-<\/strong> https:\/\/www.amandamanitach.com\/<\/p>\n <\/p>\n Beverly Naidus<\/strong><\/p>\n Bio: Beverly Naidus has a multi-faceted creative practice that keeps responding to what is happening her life, her dreamtime, and the traumas impacting her community and the planet. Whether looking at the ecological crisis, transforming grief and despair, or exploring visions of the world we can create together, she has been committed to raising consciousness through her internationally recognized work. She loves to play with scavenged materials and to collaborate with others creating interactive interventions in the community. After decades of teaching art as a subversive activity, she has left neoliberal academic institutions to facilitate workshops as an independent and write a book about creative emergent strategies.<\/p>\n Socials-<\/strong> @utopias4all<\/p>\n Website-<\/strong> www.beverlynaidus.net<\/p>\n <\/p>\n Cara Jaye\u00a0<\/strong><\/p>\n Born in Solana Beach California, Cara Jaye lives and works in Bellingham WA where she is Professor of Art at Western Washington University.\u00a0 She received her MFA from the University of Colorado in Boulder, and her BFA from Parsons School of Design in New York City. She studied printmaking at the \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts in Paris, France as part of her undergraduate education. Jaye is multi-faceted artist whose practice is rooted within drawing and expands into various techniques including encaustic painting, collage, conventional and alternative photographic processes, printmaking, and embroidery. She considers drawing her first and primary medium – she loves drawing for its immediacy and intimacy of marks placed directly on the page.\u00a0\u00a0<\/span><\/p>\n Jaye is interested in examining ideas of process, classification, reproduction, and perfection. Treading the line between the apparent and the ambiguous, the beautiful and grotesque, Jaye enjoys working with re-occurring dichotomies. <\/span>Building work of a diverse nature, she crosses into various subjects and material concerns. Themes in the work move between notions of environmentalism, consumerism and the picturesque. She examines the intersectionality of femininity, portraiture, authorship, and identity, and finds subtle affinities between these interactions<\/span><\/p>\n Website- <\/span>www.carajaye.com<\/span><\/a>\u00a0<\/span><\/p>\n <\/p>\n Lucia Enriquez<\/strong><\/p>\n The work of Lucia Enriquez is influenced by immigration, pre-colonial cultural studies, family history and the transformative effect of being in nature. Trained as a printmaker using traditional materials, she now includes digital painting and other applications that emulate particle interactions and wave forms to create images. Her work evokes journeys and the mysteries of nature and dream. Her work has been shown in galleries in Washington including COCA, Whatcom Museum of Art, the Museum of Northwest Art and in other galleries throughout the U.S.<\/p>\n Website:<\/strong> lucidartstudio.com<\/p>\n <\/p>\n Mary Coss<\/strong><\/p>\n Mary Coss is an interdisciplinary artist known for her monumental sculpture and multimedia installations. Born in Detroit and based in Seattle, Coss received her MFA from Syracuse University, Dept. of Experimental Studios. This hybrid sculpture\/media program inspired a life-long commitment to create cross disciplinary socially conscious work. Coss\u2019 extensive exhibition record spans galleries, museums and sculpture parks. Honors and recognition include awards, residencies, and grants such as NEA, Ford and Puffin Foundations, 4Culture, and Artist Trust. She has built international partnerships through exhibitions, residencies and cultural exchanges in Canada, Italy, Ireland, Guatemala, Stockholm, and Turkey. She is cofounder of METHOD Gallery.<\/p>\n Instagram-<\/strong> @marycoss_studio <\/p>\n Nichol Devoy<\/strong><\/p>\n Nichol Devoy (he\/him) works across diverse disciplines, from traditional media to generative digital and video installations. His self-taught journey began around 2006 in San Francisco with photography and illustration and further developed in 2012 when in\u00a0 Vancouver BC studied interactive arts and technology at Simon Fraser University with independent study in painting and darkroom arts. He currently works from his studio in Seattle and serves as director and curatorial lead for METHOD Gallery.\u00a0 From concept to material his practice is deeply inspired by social and environmental sustainability often being made from salvaged or recycled waste.<\/span><\/p>\n Socials-<\/strong> @icholino<\/span><\/p>\n Website: <\/strong>nicholdevoy.com<\/span><\/a><\/p>\n <\/p>\n <\/p>\n Von Coffin<\/strong><\/p>\n Residency:<\/strong> October 23- November 17, 2023<\/p>\n Exhibition:<\/strong> November 28- January 18, 2023<\/p>\n Opening Reception:<\/strong> November 28, 4-7 PM<\/p>\n Von Coffin<\/span> (b. 1983 Kirkland, WA) lives on the Coffin<\/span> family farm in Redmond, Washington. They are trans, non-binary, and bipolar. Education includes MFA in Painting and Printmaking from Yale University (2016) and BFA from the School of the Art Institute of Chicago (2007). Recent exhibitions include a solo show at Galerie Dengyun in Shanghai and group exhibitions with Tops Gallery in Memphis, TN; Foster White Gallery in Seattle, WA; and Other Places Art Fair, Los Angeles, CA.<\/p>\n sacoffin.com\u00a0\u00a0website\u00a0<\/a><\/p>\n <\/p>\n <\/p>\n Scott Trimble<\/strong><\/p>\n Residency:<\/strong> April 22-May 22, 2023<\/p>\n Exhibition:<\/strong> June 15- Sept 22, 2023<\/p>\n <\/p>\n <\/p>\n W. Scott Trimble is a sculptor whose site responsive artworks and installations consider the intersections between art,\u00a0 \u00a0 \u00a0architecture, and the participation of humanity within. He has largely been influenced by the central coast of California where he was born and the PNW where he has been working since receiving an MFA in sculpture at the University of Washington in 2003. Starting out in reductive techniques, leading to bronze casting, and fabricated steel sculpture, he has also delved into coin-operated kinetic works and most recently large site specific interactive wooden sculptures. He is most interested in alternative venues that engage the greater public on their own terms and where it is least expected. He is mostly interested in creating artworks that are accessible, interactive, lyrical, and facilitate exploration.<\/p>\n Recognized through awards and grants by the 4Culture, Seattle Arts & Culture, Artist Trust, and McMillan Foundation, he has many public and private art commissions found throughout the Pacific Northwest. He has extended his art practice through his participation in many reputable artist residencies such as Bemis Center for Contemporary Art, Anderson Ranch, Lucas Artist Residency at Montalvo, Amazon, Sculpture Space, Jentel, and others.<\/p>\n Trimble prefers temporary venues that are more accessible to the greater public such as Bumbershoot Art & Music Festival, Wormfarm Institute Farm\/Art Dtour, Hello Tunnel\/Good-bye Viaduct, and so forth. He has also exhibited mostly in northwest galleries and sculpture parks that have included Greg Kucera Gallery, Swarm Gallery, Schneider Museum, Bellevue Arts Museum, Crawl Space Gallery, Method Gallery, 4 Culture Gallery, Olympic Sculpture Park, to name a few.<\/p>\n<\/div>\n<\/div>\n<\/div>\n www.wstrimble.com<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n Bellevue College Faculty Exhibition <\/strong>– Feb 15 \u2013 April 7, 2023<\/p>\n <\/p>\n 2022<\/p>\n Mary Coss<\/strong><\/p>\n Residency:<\/strong> Oct 4 – 15\u00a0 &\u00a0 Nov 1 – 17, 2022<\/p>\n Sound the Siren Exhibition:<\/strong> Nov 17 – Dec 30<\/p>\n I explore current topics and memory with a critical eye. I challenge our expectations and social norms in order to analyze their effects on our present state and to consider our future impact. Sound the Siren is artwork examining ideas of social justice. There are tendrils to civil rights, free speech, feminist ideology and a host of other topics. The work has a societal basis and generates conversation about history, empowerment, empathy and integrity.<\/em><\/p>\n I will host students both during my residency working stage and during the exhibition period to discuss the ideas behind the work and the methods of fabrication. I will also facilitate voter registration by providing interested students with a QR code, so that they can register to vote online. I welcome collaboration with faculty and am happy to tailor the conversations to related subject matter in the curriculum.<\/em><\/p>\n <\/p>\n BIO<\/strong><\/p>\n Mary Coss is an interdisciplinary artist known for her haunting installations that explore the human condition.\u00a0Born in Detroit and based in Seattle, Coss received her MFA from Syracuse University, Dept. of Experimental Studios. Materials vary and range from cast bronze, fabric and drawing to neon light and sound. Her use of common imagery is often abstracted or put into a new context to create new perspectives to consider. People\u2019s stories, current news cycles and existential questions inspire the artwork.<\/p>\n Recognized through awards and grants by the NEA, Ford and Puffin Foundations, 4Culture, Seattle Arts & Culture and\u00a0Artist Trust,\u00a0her numerous\u00a0public art commissions are found throughout the Northwest.Coss exhibits nationally and in northwest galleries, museums and sculpture parks that include Museum of Northwest Art, Bainbridge and San Juan Museum of Art, The Wing and Webster Sculpture Park.\u00a0Public Debt to the Suffragette\u00a0<\/em>received\u00a0\u201cArt to Change the\u00a0World: Inspiring Social Justice\u201d\u00a0Special Recognition Award\u00a0from the ACLU\u00a0at\u00a0ArtPrize.\u00a0Critically acclaimed\u00a0Layers of the Hijab<\/em>, a three-year social engagement project, received NEA funding. Coss\u2019 Public Art includes commissions and socially engaged practices, project Lead Artist and authorship of Art Plans.<\/p>\n Coss has built\u00a0international\u00a0partnerships\u00a0that include exhibitions, residencies\u00a0and cultural exchanges\u00a0in Stockholm,\u00a0Canada, Ireland, Turkey and Guatemala.\u00a0Residencies include Willapa Bay, Playa, James Washington Foundation, Cornish Incubator,\u00a0and Cill Rialaig.\u00a0She is cofounder of METHOD Gallery, CASA: a rape crisis center\u00a0that flourishes after 30 years,\u00a0and Borealis Light Festival.<\/p>\n marycoss.com<\/a><\/p>\n <\/p>\n Sarah Fetterman<\/strong> (residency)- March 15 – June 15<\/p>\n Sarah Fetterman is an artist working in performative sculpture. She utilizes the fluid, organic movement of dancers, either juxtaposing it with the awkward creaking movement of wood and metal sculptures, or having the dancer\u2019s flour-covered body track its movement on large sheets of black tar paper.<\/p>\n Sarah\u2019s interest in durational work gives her art a dream-like quality punctuated with precarious and yet graceful moments. Choreographing her installations and dancers as one, Sarah emphasizes the essence of the work as a total organism.<\/p>\n Since coming to Seattle, she has embraced the interdisciplinary and tech-savvy art culture \u2013 collaborating with Code Empathy, a software coding company. Sarah\u2019s work was exhibited at Soil Gallery, Franconia Sculpture Park, Shunpike\u2019s Storefronts, Collective Vision\u2019s Gallery, Hybrid Space, and the Center on Contemporary Art (CoCA).\u00a0She assists world-renowned sculptor John Grade with installation in venues including the Smithsonian.<\/p>\n sarahfettermanstudios.com<\/a><\/p>\n <\/p>\n Francesca Lohmann, Slumber Party <\/strong>– Jan 15 – March 15<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n I am working to build a language that operates through gesture, imprint, support, mutual formation, through things and processes as they manifest in the world. Everything in this language exists in multiple, as a series, an open edition. There is no singular definitive object.<\/em><\/p>\n <\/p>\n I\u2019m curious about boundaries and where boundaries become confused.<\/em><\/p>\n About the distinction between dead and alive.<\/em><\/p>\n <\/p>\n I\u2019m looking for certain instances of weight; emotional density.<\/em><\/p>\n Like a fairy tale, or a joke, a good meal, a rock.<\/em><\/p>\n <\/p>\n BIO<\/strong><\/p>\n Francesca Lohmann (b. 1986 in San Francisco) was raised in the foothills of Northern California, and now lives and works in the Pacific Northwest. Trained in Printmaking, her practice continues to be concerned with material in time, repetitions, affinities, and points of contact. Recent solo exhibitions include \u201cVariants\u201d at Ditch Projects in Eugene, OR; \u201cTaffy X\u201d at the Coffin Farm in Redmond, WA; \u201cSets\u201d at Veronica in Seattle, WA; \u201cButter Flavor with Yellow\u201d at Seattle Freezer, and Subspontaneous, a collaboration with Rob Rhee at the Frye Art Museum in Seattle.<\/p>\n francescalohmann.com<\/a><\/p>\n <\/p>\n 2021<\/p>\n Sung I Chun, Light, Water, Space<\/strong> – Nov 1 – Jan 15, 2022<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n sungichun.com<\/a><\/p>\n <\/p>\n 2020<\/p>\n Chris Oliver,<\/strong> The Pool Zone and Other Zones <\/strong>– Jan 9 – March 6<\/p>\n <\/p>\n 2019<\/p>\n Carlos Palomares <\/strong>(residency) – Nov 3 – Nov 8<\/p>\n Tiffany Midge Reading and Event <\/strong>– Nov 7<\/p>\n Changing Bodies<\/strong> – Sept 19 – Nov 1<\/p>\n Bellevue College Juried Student Exhibition 2019<\/strong> – Opening June 19 – Aug 7<\/p>\n Juror – Greg Robinson, Chief Curator, Bainbridge Island Art Museum<\/p>\n Guest Curator Carrie Dedon Exhibition<\/strong> – April 9 – June 9<\/p>\n Yehaw’<\/strong> – May 28 – June 12<\/p>\n Writer in Residence – Laura Da’<\/p>\n Closing Reception June 12. 4 – 9 p.m.\u00a0 Musical guests “Them Savages,” Readings by writers from “An Indigenous Art Zine”<\/p>\n MOSA- Museum of Special Art\u00a0<\/strong><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Matthew Parker October 13- March 1 Matthew Deane Parker is a disabled multimedia artist that works in sculpture, photography, and installation. Parker\u2019s practice explores the nature of making bodies of work without a working body. He uses foam boulders to create physical barriers in spaces to implore the audience to reconsider their relationship with what ...more about Past Exhibitions<\/a><\/p>\n","protected":false},"author":76,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-35","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/pages\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":8,"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":1768,"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/pages\/35\/revisions\/1768"}],"wp:attachment":[{"href":"https:\/\/www.bellevuecollege.edu\/galleryspace\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Green](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2025\/04\/reworkedfront-2-copy-298x300.jpg\")
Bellevue College Art Faculty Exhibition<\/strong><\/p>\n![\"WUJOOD\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2024\/11\/Wujood-Gallery-Exhibit-Flyer--232x300.png\")
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Katie Miller<\/strong><\/p>\n![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2024\/04\/bellevue_61487005343-267x300.png\")
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<\/h4>\nFibonacci Footprint<\/strong><\/h3>\n
Artists Featured-\u00a0<\/strong><\/h3>\n
More about the artists-\u00a0<\/strong><\/em><\/h4>\n
\nunutterable, the sacred. Apart from their own practice, Kite is a shop technician at Bellevue College in the sculpture and
\nthree-dimensional design studio. And teaches Bronze Casting at Pratt Fine Arts.<\/p>\n
\nFacebook-<\/strong> Mary Coss Artwork https:\/\/www.facebook.com\/mary.coss.94\/<\/p>\n![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2024\/01\/Von-Coffin-300x242.jpg\")
\n<\/strong><\/h4>\n![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/09\/DSC1383.jpg\")
<\/strong><\/h4>\n<\/div>\n\ninstagram\u00a0 @voncoffin<\/a>.<\/div>\n<\/div>\n![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/06\/Scott-221x300.jpg\")
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<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/05\/IMG-3383-150x150.jpg\")
<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/05\/IMG-3398-150x150.jpg\")
<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t![\"\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/05\/IMG-3443-150x150.jpg\")
<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n![\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2023\/02\/cropped-Molly--300x145.jpg\")
<\/p>\n![\"Mary](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2022\/09\/0-300x225.jpg\")
<\/p>\n![\"Alt\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2022\/03\/alicia_1315-300x168.jpg\")
<\/p>\n![\"Alt\"](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2022\/01\/lohmann_12-300x200.jpg\")
<\/p>\n![\"Exhibition](\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/85\/2022\/01\/Sung-2-300x216.jpg\")
<\/p>\n