{"id":101,"date":"2014-02-27T08:41:56","date_gmt":"2014-02-27T16:41:56","guid":{"rendered":"http:\/\/www.bellevuecollege.edu\/music\/?page_id=101"},"modified":"2023-05-24T13:17:25","modified_gmt":"2023-05-24T20:17:25","slug":"core-music-theory-sequence-topics","status":"publish","type":"page","link":"https:\/\/www.bellevuecollege.edu\/music\/core-music-theory-sequence-topics\/","title":{"rendered":"Core Music Theory Sequence Topics"},"content":{"rendered":"\n<p>frequency&nbsp;&#x2666; overtone series&nbsp;&#x2666; tuning systems&nbsp;&#x2666; pitch notation&nbsp;&#x2666; clefs&nbsp;&#x2666; octave identification&nbsp;&#x2666; rhythmic notation&nbsp;&nbsp;&#x2666; time signatures&nbsp;&#x2666; intervals&nbsp;&nbsp;&#x2666; diatonic scales&nbsp;&#x2666; church modes&nbsp;&#x2666; blues scales&nbsp;&#x2666; major &amp; minor key signatures&nbsp;&#x2666; triads&nbsp;&#x2666; seventh chords&nbsp;&#x2666; jazz\/popular chord symbols&nbsp;&#x2666; figured bass&nbsp;&#x2666; harmonic inversion&nbsp;&#x2666; functional Roman numeral analysis&nbsp;&nbsp;&#x2666; chord progression intervals&nbsp;&#x2666; cadences&nbsp;&nbsp;&#x2666; melodic theory&nbsp;&#x2666; motives&nbsp;&nbsp;&#x2666; phrases&nbsp;&#x2666; sequences&nbsp;&#x2666; period structures&nbsp;&#x2666; goal tone melodic composition&nbsp;&nbsp;&#x2666; phase groups&nbsp;&nbsp;&#x2666; musical textures&nbsp;&#x2666; textural reduction&nbsp;&#x2666; counterpoint&nbsp;&#x2666; four-part voice leading techniques&nbsp;&#x2666; secondary dominant chords&nbsp;&#x2666; closely-related style&nbsp;&#x2666; motivic development&nbsp;&#x2666; fugue&nbsp;&#x2666; canon&nbsp;&#x2666; modal mixture chords&nbsp;&#x2666; chromatic mediants&nbsp;&#x2666; predominant substitutes&nbsp;&#x2666; Neapolitan sixth chords&nbsp;&#x2666; augmented sixth chords&nbsp;&#x2666; embellishing diminished seventh chords&nbsp;&#x2666; altered dominants&nbsp;&#x2666; chords of extension \u2013 9<sup>th<\/sup>, 11<sup>th<\/sup>, 13<sup>th<\/sup> chords&nbsp;&#x2666; tritone substitution&nbsp;&#x2666; distant key modulation &#x2666; non-functional harmony&nbsp;&#x2666; linear chromaticism&nbsp;&#x2666; the Tristan chord&nbsp;&#x2666; musical structures&nbsp;&#x2666; art song&nbsp;&#x2666;&nbsp; continuous variation form&nbsp;&#x2666; simple binary form&nbsp;&#x2666; rounded binary form&nbsp;&#x2666; ternary form&nbsp;&#x2666; theme &amp; variations form&nbsp;&#x2666; theme &amp; variations form&nbsp;&#x2666; rondo form&nbsp;&#x2666; sonata form&nbsp;&#x2666; modalism&nbsp;&#x2666; polytonality&nbsp;&#x2666; free atonality &#x2666; serial atonality&#x2666; minimalism&nbsp;&#x2666; pluralism&nbsp;&#x2666; Musique concrete&nbsp;&#x2666; &nbsp;soundscape &#x2666;&nbsp;electronic music&nbsp;&#x2666; indeterminacy&nbsp;&#x2666; 20<sup>th<\/sup>-21<sup>st<\/sup> century extended techniques&nbsp;&#x2666; and much more\u2026\u2026\u2026<\/p>\n\n\n\n<p><a title=\"back\" href=\"http:\/\/www.bellevuecollege.edu\/music\/core-music-theory\/\">back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>frequency&nbsp;&#x2666; overtone series&nbsp;&#x2666; tuning systems&nbsp;&#x2666; pitch notation&nbsp;&#x2666; clefs&nbsp;&#x2666; octave identification&nbsp;&#x2666; rhythmic notation&nbsp;&nbsp;&#x2666; time signatures&nbsp;&#x2666; intervals&nbsp;&nbsp;&#x2666; diatonic scales&nbsp;&#x2666; church modes&nbsp;&#x2666; blues scales&nbsp;&#x2666; major &amp; minor key signatures&nbsp;&#x2666; triads&nbsp;&#x2666; seventh chords&nbsp;&#x2666; jazz\/popular chord symbols&nbsp;&#x2666; figured bass&nbsp;&#x2666; harmonic inversion&nbsp;&#x2666; functional Roman numeral analysis&nbsp;&nbsp;&#x2666; chord progression intervals&nbsp;&#x2666; cadences&nbsp;&nbsp;&#x2666; melodic theory&nbsp;&#x2666; motives&nbsp;&nbsp;&#x2666; phrases&nbsp;&#x2666; sequences&nbsp;&#x2666; period structures&nbsp;&#x2666; goal tone melodic composition&nbsp;&nbsp;&#x2666; <a class=\"read-more\" href=\"https:\/\/www.bellevuecollege.edu\/music\/core-music-theory-sequence-topics\/\">...more about Core Music Theory Sequence Topics<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-101","page","type-page","status-publish","hentry"],"publishpress_future_action":{"enabled":false,"date":"2026-04-14 01:29:46","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/pages\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":3,"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/pages\/101\/revisions"}],"predecessor-version":[{"id":13694,"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/pages\/101\/revisions\/13694"}],"wp:attachment":[{"href":"https:\/\/www.bellevuecollege.edu\/music\/wp-json\/wp\/v2\/media?parent=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}