{"id":4470,"date":"2021-02-01T10:55:52","date_gmt":"2021-02-01T18:55:52","guid":{"rendered":"https:\/\/www.bellevuecollege.edu\/theatrearts\/?page_id=4470"},"modified":"2026-02-19T15:41:51","modified_gmt":"2026-02-19T23:41:51","slug":"auditions-callbacks","status":"publish","type":"page","link":"https:\/\/www.bellevuecollege.edu\/theatrearts\/auditions-callbacks\/","title":{"rendered":"Auditions &amp; Callbacks"},"content":{"rendered":"\n<ul class=\"nav justify-content-center\">\n    <li class=\"nav-item\">\n    <a class=\"nav-link border border-dark text-light bg-dark m-1\" href=\"#\">2025-2026 Auditions<\/a>\n  <\/li>\n  <li class=\"nav-item dropdown\">\n    <a class=\"nav-link dropdown-toggle border border-dark text-dark m-1\" data-toggle=\"dropdown\" href=\"#\" role=\"button\">Past Auditions<\/a>\n    <div class=\"dropdown-menu\">\n      <a class=\"dropdown-item\" href=\"https:\/\/www.bellevuecollege.edu\/theatrearts\/2020-2021-auditions\/\" target=\"_blank\" rel=\"noopener\">2020-2021<\/a> \n  <a class=\"dropdown-item\" href=\"https:\/\/www.bellevuecollege.edu\/theatrearts\/2023-2024-auditions\/\" target=\"_blank\" rel=\"noopener\">2023-2024<\/a> \n  <a class=\"dropdown-item\" href=\"https:\/\/www.bellevuecollege.edu\/theatrearts\/2025\/10\/09\/auditions-of-2024-2025\/\" target=\"_blank\" rel=\"noopener\">2024-2025<\/a> \n    <\/div>\n  <\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Auditions for the Bellevue College Theatre Department Spring Musical are set!<\/h2>\n\n\n\n<p><strong>The Show:&nbsp;<\/strong><\/p>\n\n\n\n<p><em>She Loves Me&nbsp;<\/em><\/p>\n\n\n\n<p>featuring music by&nbsp;Jerry Bock&nbsp;and&nbsp;Sheldon Harnick&nbsp;(<em>Fiddler on the Roof<\/em>) and book by Joe Masteroff (<em>Cabaret<\/em>)<\/p>\n\n\n\n<p>Directed by Amy King <\/p>\n\n\n\n<p>Music Director Brian Soushek (<em>Mary Poppins at<\/em>&nbsp;Tacoma Musical Playhouse,&nbsp;Federal Way Chorale Associate Director, Music leadership and Accompanist at&nbsp;Bellevue College)&nbsp;<\/p>\n\n\n\n<p>Choreographed: Jenna Spinei ( BC\/DC,&nbsp;<em>Chicago, Frog and Toad, Tick, Tick&#8230;Boom)<\/em><\/p>\n\n\n\n<p>Hello! My name is Amy&nbsp;King, and I am the director for the Spring production of the Musical&nbsp;<em>She Loves Me<\/em>. The Department of Theatre and Dance is looking to add a few more members to the cast! Please join us for another round of auditions:<\/p>\n\n\n\n<p><strong><u>Thursday Feb 26th&nbsp;6:00-9:00, Carlson Theater (E200)<\/u><\/strong><\/p>\n\n\n\n<p>6:00 Dance call<\/p>\n\n\n\n<p>7:00 vocal and acting auditions<\/p>\n\n\n\n<p>Please come dressed to move, prepare the following section from &#8220;<a href=\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/78\/2026\/02\/12-Days-to-Christmas.pdf\" data-type=\"link\" data-id=\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/78\/2026\/02\/12-Days-to-Christmas.pdf\">Twelve Days to Christmas<\/a>&#8221; (<a href=\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/78\/2026\/02\/12-Days-to-Christmas.pdf\" data-type=\"link\" data-id=\"https:\/\/www.bellevuecollege.edu\/wp-content\/uploads\/sites\/78\/2026\/02\/12-Days-to-Christmas.pdf\">Measure 166 to the End -Music attached<\/a>) &#8211; \u00a0and be prepared to cold read from available scenes.<\/p>\n\n\n\n<p><strong>Spring Quarter Rehearsal Schedule<\/strong><\/p>\n\n\n\n<p>Starting April 6th<\/p>\n\n\n\n<p>M-Th 6-10<\/p>\n\n\n\n<p>Sat 10-2<\/p>\n\n\n\n<p><strong>Performances<\/strong><\/p>\n\n\n\n<p>May 28-30 and June 4-6 at 7:30, May 31st&nbsp;at 2:00pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>Additional Information<\/strong><\/p>\n\n\n\n<p>All roles are open to all genders but per our licensing agreement the characters must be presented as written, Thus I have included genders in the descriptions below. Ages are for reference only as well.<\/p>\n\n\n\n<p>If you have any questions, please contact the director, Amy King at <a href=\"mailto:amy.r.king@bellevuecollege.edu\">amy.r.king@bellevuecollege.edu<\/a> <\/p>\n\n\n\n<p>This is a class. Once cast, you are required to register for the production.<\/p>\n\n\n\n<p>At Auditions you will be presented with a schedule that includes the last two weeks of technical production. All cast members are required to be there for the last two weeks and all of the performances.&nbsp;<\/p>\n\n\n\n<p>Once cast we take into consideration conflicts until those last two weeks, and a specific schedule will be confirmed with the cast in the first rehearsal.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>More about the Show and Characters<\/strong><\/p>\n\n\n\n<p><em>She Loves Me<\/em>&nbsp;is a warm romantic comedy with an endearing innocence and a touch of old-world elegance. The&nbsp;Mikos Lazlos play&nbsp;<em>Parfuemerie<\/em>, on which it is based, has inspired many adaptations, including the beloved film&nbsp;<em>You&#8217;ve Got Mail<\/em>&nbsp;starring Meg Ryan and Tom Hanks.<\/p>\n\n\n\n<p>Set in a 1930s European perfumery, we meet shop clerks, Amalia and Georg, who, more often than not, don&#8217;t see eye to eye. After both respond to a &#8220;lonely hearts advertisement&#8221; in the newspaper, they now live for the love letters that they exchange, but the identity of their admirers remains unknown. Join Amalia and Georg to discover the identity of their true loves&#8230; and all the twists and turns along the way!<\/p>\n\n\n\n<p><em>She Loves Me<\/em>&nbsp;showcases a small but strong ensemble cast playing a range of memorable characters of all ages &#8211; and each with their&nbsp;moment to shine. As the New York Times wrote, &#8220;This musical is remarkably generous to all its performers: a half-dozen supporting characters are given show stoppers, too.&#8221;&nbsp;&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>Character Breakdown<\/strong><\/p>\n\n\n\n<p><strong>Arpad Laszlo<\/strong><\/p>\n\n\n\n<p>Delivery boy at Maraczek&#8217;s Parfumerie. His exuberance is infectious and commitment to his job remarkable. He is ambitious and adorable.<\/p>\n\n\n\n<p>Gender: Male<\/p>\n\n\n\n<p>Age: 14 to 17<\/p>\n\n\n\n<p>Vocal range top: E4<\/p>\n\n\n\n<p>Vocal range bottom: Bb2<\/p>\n\n\n\n<p>Supporting Role&nbsp;<\/p>\n\n\n\n<p><strong>Ladislav Sipos<\/strong><\/p>\n\n\n\n<p>Not the brightest employee at Maraczek&#8217;s Parfumerie. A confidant to Georg, he is an optimistic family man who looks like a huggable father.<\/p>\n\n\n\n<p>Gender: Male<\/p>\n\n\n\n<p>Age: 45 to 55<\/p>\n\n\n\n<p>Vocal range top: E4<\/p>\n\n\n\n<p>Vocal range bottom: A2<\/p>\n\n\n\n<p>Supporting Role<\/p>\n\n\n\n<p><strong>Ilona Ritter<\/strong><\/p>\n\n\n\n<p>Employed at Maraczek&#8217;s Parfumerie. She is sexy and learned in the ways of romance, but longing for something more from the game of love.<\/p>\n\n\n\n<p>Gender: Female<\/p>\n\n\n\n<p>Age: 25 to 30<\/p>\n\n\n\n<p>Vocal range top: E5<\/p>\n\n\n\n<p>Vocal range bottom: F#3<\/p>\n\n\n\n<p>Supporting Role<\/p>\n\n\n\n<p><strong>Steven Kodaly<\/strong><\/p>\n\n\n\n<p>A well respected and liked employee at Maraczek&#8217;s Parfumerie. Though he is considered dapper and occasionally charming, he is more of a shallow womanizer.<\/p>\n\n\n\n<p>Gender: Male<\/p>\n\n\n\n<p>Age: 25 to 30<\/p>\n\n\n\n<p>Vocal range top: A4<\/p>\n\n\n\n<p>Vocal range bottom: B2<\/p>\n\n\n\n<p>Supporting Role<\/p>\n\n\n\n<p><strong>Georg Nowack<\/strong><\/p>\n\n\n\n<p>An established employee of Maraczek&#8217;s Parfumerie, he resembles a hopeless romantic. Shy, intelligent, and soft spoken.<\/p>\n\n\n\n<p>Gender: Male<\/p>\n\n\n\n<p>Age: 25 to 30<\/p>\n\n\n\n<p>Vocal range top: F4<\/p>\n\n\n\n<p>Vocal range bottom: B2<\/p>\n\n\n\n<p>Lead<\/p>\n\n\n\n<p><strong>Mr. Maraczek<\/strong><\/p>\n\n\n\n<p>Owner of Maraczek&#8217;s Parfumerie. With a commanding presence, his dedication to the trade is rivaled only by his faithfulness to his wife.<\/p>\n\n\n\n<p>Gender: Male<\/p>\n\n\n\n<p>Age: 55 to 65<\/p>\n\n\n\n<p>Vocal range top: C4<\/p>\n\n\n\n<p>Vocal range bottom: B2<\/p>\n\n\n\n<p>Supporting Role<\/p>\n\n\n\n<p><strong>Amalia Balash<\/strong><\/p>\n\n\n\n<p>The eager new employee at Maraczek&#8217;s Parfumerie. Despite being a skilled saleswoman, she easily becomes intimated and nervous. Attractive, bright, and a lover of literature.<\/p>\n\n\n\n<p>Gender: Female<\/p>\n\n\n\n<p>Age: 20 to 25<\/p>\n\n\n\n<p>Vocal range top: B5<\/p>\n\n\n\n<p>Vocal range bottom: C4<\/p>\n\n\n\n<p>Lead<\/p>\n\n\n\n<p>a member of the ensemble known as&nbsp;<strong>The Maitre D&nbsp;<\/strong>sings&nbsp;<em>A Romantic Atmosphere<\/em>&#8221;&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025-2026 Auditions Past Auditions 2020-2021 2023-2024 2024-2025 Auditions for the Bellevue College Theatre Department Spring Musical are set! The Show:&nbsp; She Loves Me&nbsp; featuring music by&nbsp;Jerry Bock&nbsp;and&nbsp;Sheldon Harnick&nbsp;(Fiddler on the Roof) and book by Joe Masteroff (Cabaret) Directed by Amy King Music Director Brian Soushek (Mary Poppins at&nbsp;Tacoma Musical Playhouse,&nbsp;Federal Way Chorale Associate Director, Music <a class=\"read-more\" href=\"https:\/\/www.bellevuecollege.edu\/theatrearts\/auditions-callbacks\/\">...more about Auditions &amp; Callbacks<\/a><\/p>\n","protected":false},"author":1817,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4470","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/pages\/4470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/users\/1817"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/comments?post=4470"}],"version-history":[{"count":6,"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/pages\/4470\/revisions"}],"predecessor-version":[{"id":6101,"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/pages\/4470\/revisions\/6101"}],"wp:attachment":[{"href":"https:\/\/www.bellevuecollege.edu\/theatrearts\/wp-json\/wp\/v2\/media?parent=4470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}